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Oliviero Toscani Art Triptychs

  • 2.500,00

    Andy Warhol and fashion, 1975

    This triptych consists of three photographs that cannot be sold individually. Each photograph, signed by Oliviero Toscani, is in 50 × 70 cm size.Oliviero Toscani photographed Andy Warhol in his studio in Canergie Hall in the mid-1970s. It was a fashion shoot, later published in UomoVogue. Toscani and Warhol went to Brooks Brothers to shop for clothes dressed in clothes that he would have never worn, middle class American, it was like a disguise that amused them a lot. Few time later, while in Italy, he told Toscani that people on the street recognized him because he was seen in UomoVogue!The order includes 1 triptych consisting of 3 photos 50x70cm. To order more triptychs please select on the right.
    2.500,00
    2.500,00
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    Jasper Johns, 1973

    This triptych consists of three photographs that cannot be sold individually. Each photograph, signed by Oliviero Toscani, is in 50 × 70 cm size.Oliviero Toscani photographed Jasper Johns in his studio on Bowery Street in 1973. Jasper was particularly in a good mood that day because his maid's son ran and made him happy. The photos has been published in Vogue.The order includes 1 triptych consisting of 3 photos 50x70cm. To order more triptychs please select on the right.
    2.500,00
    2.500,00
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    Robert Rauschenberg, 1973

    This triptych consists of three photographs that cannot be sold individually. Each photograph, signed by Oliviero Toscani, is in 50 × 70 cm size.Oliviero Toscani photographed Rauschenberg in his studio in Lafayette Street in 1973. It was an old, deconsecrated church, and Toscani remembers it was kind of messy, full of noisy people, Robert's assistants, friends and dogs. The photos were published in Vogue.The order includes 1 triptych consisting of 3 photos 50x70cm. To order more triptychs please select on the right.
    2.500,00
    2.500,00
  • 2.500,00

    Andy Warhol, 1975

    This triptych consists of three photographs that cannot be sold individually. Each photograph, signed by Oliviero Toscani, is in 50 × 70 cm size.Oliviero Toscani ha fotografato Andy Warhol nel suo studio Oliviero Toscani photographed Andy Warhol in his studio in Canergie Hall in the mid-1970s. It was a fashion shoot, later published in UomoVogue. Toscani and Warhol went to Brooks Brothers to shop for clothes dressed in clothes that he would have never worn, middle class American, it was like a disguise that amused them a lot. Few time later, while in Italy, he told Toscani that people on the street recognized him because he was seen in UomoVogue!The order includes 1 triptych consisting of 3 photos 50x70cm. To order more triptychs please select on the right.
    2.500,00
    2.500,00
  • 2.500,00

    Andy Warhol, Robert Rauschenberg, Jasper Johns, 1973-1975

    This triptych consists of three photographs that cannot be sold individually. Each photograph, signed by Oliviero Toscani, is in 50 × 70 cm size.We all recognize Andy Warhol as the father of Pop Art, but there are many artists who in the 60s and 70s were often ascribed to that movement, although never fully adhering to it. Among the most impressive names we certainly find Robert Rauschenberg and Jasper Johns. Oliviero Toscani took these three photos in New York in 1973 (Rauschenberg, Johns) and in 1975 (Warhol). Rauschenberg and Johns lived a sort of symbiosis for the first few years: they met in 1953 in a bookshop where Johns was a clerk and they formed a very strong association. Rauschenberg was a few years older and knew the artistic environment, Jasper Johns was perhaps more "naive" and less inserted. The two often frequented the Cedar Street Tavern in Greenwich Village, the meeting point of many established artists such as Willem de Kooning, Mark Rothko, Franz Kline or Jackson Pollock. Rauschenberg knows how to get noticed in the New York scene and Johns is picking up. They introduced theyrself into the right circle, they met the composer Morton Feldman, the choreographer Merce Cunningham and above all John Cage, founder of the Fluxus group, the movement that gathered around it all the artistic avant-garde. Rauschenberg convinces Johns to quit his job at the bookstore and to work with him on window dressing in New York, a profession that initiated many of the greatest contemporary artists we know today. The friend has such an influence on him, that Jasper Johns destroys all the paintings made up to that moment, because he feels he tourned into somebody else. In the meantime Andy Warhol had already started to use silkscreen printing and created the series of Campbell's Soup, canned soups that he transformed from supermarket shelves into very expensive works. Later he created the series on Elvis, Marilyn, Coca-Cola. Warhol ‘s interests , are those objects that break down the gap between rich and poor, because anyone can afford a coca-cola and, however great the purchasing power of a millionaire, his Coca-Cola will not be better than anybody else. The rest is history. We can say that just together with Warhol, but with a matrix that pushes towards the new-dada, Rauschenberg and Johns set up a revolution, imposing the object of common use as the soul and essence of art: Andy Warhol's iconic series we all know, but also Robert Rauschenberg's assemblages of found objects (even garbage cans), photographs and paintings, as well as Jasper Johns' targets and flags of the United States, through which he does not want to impose a political vision, but to offer a new point of view: an object becomes art because if until recently it had been seen by everyone, now it is finally observed. In the 1970s Oliviero Toscani frequented that environment in New York and did not fail to immortalize these three key figures in the history of art, without whom the course of this discipline would have been different.The order includes 1 triptych consisting of 3 photos 50x70cm. To order more triptychs please select on the right.
    2.500,00
    2.500,00

Oliviero Toscani Photos

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    Model with flowers – 2015

    Since his debut in the world of fashion, Oliviero Toscani's models are cheerful, carefree, running and jumping expressing joy and happiness. This photo is for an Elle Italy feature dedicated to luxury.
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    550,001.500,00
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    Razza Umana – Man Medellin – 2014

    Razza Umana is the result of a collective subject, the study of Oliviero Toscani in the reality of approval and globalization. He gives us, with Its frontal view, an infinite gallery of portraits that confirm the role of art in photography: to represent a value that is the coexistence of differences. The one and only real purpose of art is to bear witness to the human condition. Oliviero Toscani was always interested in human imperfection. Within human imperfection we can find all possible creativity, art is the result of the pursuit of perfection, to which we all aspire.
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    550,001.500,00
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    Rome – 1965

    At the end of the 1960s Oliviero Toscani collaborated with numerous Italian fashion magazines, but the international leap in quality took place in 1965, when Harper's Bazaar America entrusted him with the assignment for a high fashion service in Rome. Oliviero Toscani takes the models to the streets and creates dynamic, moving images that break the clichés of traditional fashion photos. This picture is part of that series.
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    550,001.500,00
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    Israel and Palestine – 1986

    Photography is the most powerful contemporary medium and can do anything, even play with one of history's most pronounced contrasts, binding Jews and Arabs who, united, can finally conquer a world of peace and hope.
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    Leafs and petrol – 1997

    Oliviero Toscani anticipated the environmental theme so much in vogue today by drowning some leaves in oil. This photograph, like many others, demonstrates how Toscani used this discipline as a warning for a not too distant future, which is why the advertising medium was the most appropriate, because it was the most widespread.
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    Newborn – 1991

    A newborn: Oliviero Toscani is perhaps the most “censored” among photographers. He said he wanted to show a pure moment, like the birth, to see if authorities would be able to censor it again. Of course it happened and the poster provoked reactions of blame and disapproval.
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    Seminarians – 1962

    This photo is part of a reportage on the clergy-mafia relationship that Oliviero Toscani took for the weekly l'Europeo, during the school period at the Kunstgewerbeschule in Zurich.
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    Unifirm – 1994

    This photo became the symbolic image of the horror of the former Jugoslavia war, without showing deaths, without showing bombs. With the bloody uniform of a Croatian soldier who had just been killed, Oliviero Toscani displayed the concrete result of the war.
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    550,001.500,00
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    Monica Bellucci – 1988

    One of the first photographs with Monica Bellucci as a model, who was brought by Oliviero Toscani to Paris for ELLE magazine, and from there began her dazzling career.
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    550,001.500,00
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    We are different – 2010

    The exaltation of differences in twins for the French magazine WAD.
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  • Biglie colorate 1990 Oliviero Toscani foto
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    Colored marbles – 1990

    In photography, with the union of black and white you can create all colors.
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    Hands – 1990

    One of Oliviero Toscani's most iconic photographs used as a United Colors of Benetton campaign, this image shows once again that it is not equality but difference that unites.
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    550,001.500,00
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    Andy Warhol – 1975

    Oliviero Toscani meets Andy Warhol in New York and enters the world of the Factory. Warhol loves being at the center of the scene, and Toscani has the brilliant intuition of “hiring” him as a model for editorial and advertising projects. Among these, also the Polaroid campaign. For the multinational of photography he creates a surreal photograph: Warhol plays the role of the photographer, but a self-portrait of him comes out of the camera. Toscani and Warhol will remain friends until the artist's death.
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    550,001.500,00
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    Head – 1994

    Oliviero Toscani in 1991 founds Colors, innovative magazine that has changed the world publishing. This picture was the cover of the issue about religion.
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    550,001.500,00
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    Inter Centenary – 2008

    Oliviero Toscani has been the art director of Inter Football Club for many years and in 2008, on the occasion of the Centenary, he decided to take a sensational photograph of San Siro Stadium, putting together the management, the team, the youth, the warehousemen, the staff and the fans.
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    Pinocchio – 1991

    What color was Pinocchio? Do exist races of puppets? Certainly not. The color sets them apart, but they are all made of wood.
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    Cacas – 1995

    You can take an ugly photograph of a beautiful thing and a beautiful photograph of an ugly thing: Oliviero Toscani therefore photographed the excrement of dozens and dozens of animals and produced a book with the evocative title "Not all that glitters is gold".
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    550,001.500,00
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    Cattelan – 2019

    Artist Maurizio Cattelan is stealing his Golden Water, the artwork that really disappeared from Blenheim Palace in Oxford in 2019. On the occasion of the launch of "Arte Generali", the company that will specifically deal with the works for the global insurance giant, Oliviero Toscani signs the campaign immortalizing Maurizio Cattelan, naked and while he takes flight with the loot.
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    550,001.500,00
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    Razza Umana – Child Antigua – 2011

    Razza Umana is the result of a collective subject, the study of Oliviero Toscani in the reality of approval and globalization. He gives us, with Its frontal view, an infinite gallery of portraits that confirm the role of art in photography: to represent a value that is the coexistence of differences. The one and only real purpose of art is to bear witness to the human condition. Oliviero Toscani was always interested in human imperfection. Within human imperfection we can find all possible creativity, art is the result of the pursuit of perfection, to which we all aspire.
    550,001.500,00
    550,001.500,00
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    Venice Biennal – 1993

    These photographs filled an entire pavilion at the 1993 Venice Biennial, an edition directed by Achille Bonito Oliva, who that year also imposed Oliviero Toscani on the systems of art. For the first time, he did not use the body, but communication and art, to speak of the uniqueness and beauty of women and men, of the power and privilege of freedom, which is the prodrome of the naturalness of human behaviour.
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    Peter Sellers – 1976

    It was the time in which Peter Sellers played Inspector Clouseau in the successful film series that opened with The Pink Panther a few years earlier. This photograph was taken in London in the studios of Vogue UK, the magazine that had commissioned the portrait to Oliviero Toscani.
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    550,001.500,00
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    Prior – 1964

    Oliviero Toscani, while attending the Kunstgewerbeschule in Zurich, realizes several photographic projects. This photo is part of a reportage on the theme of vocation and portrays the prior of Santa Maria delle Grazie in Milan.
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  • Mazzo di fiori 1990 Foto Oliviero Toscani
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    Bouquet of flowers – 1990

    Offering a bouquet of flowers is the simplest and purest gesture to communicate with another person.
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    Razza Umana – Child Guatemala City – 2011

    Razza Umana is the result of a collective subject, the study of Oliviero Toscani in the reality of approval and globalization. He gives us, with Its frontal view, an infinite gallery of portraits that confirm the role of art in photography: to represent a value that is the coexistence of differences. The one and only real purpose of art is to bear witness to the human condition. Oliviero Toscani was always interested in human imperfection. Within human imperfection we can find all possible creativity, art is the result of the pursuit of perfection, to which we all aspire.
    550,001.500,00
    550,001.500,00

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